IntroductionAristotle defined rhetoric as “an ability, in each [particular] case, to see the available means of persuasion” (37). In other words, if you want to be persuasive you have to be both tactical and tactful. You have to find the method that works for your specific audience. Aristotle also argued that there are three primary ways to make a persuasive appeal. He called these logos, ethos, and pathos. These three rhetorical appeals are at the heart of communication, and on this page we’ll explain how they work. EthosEthos is the appeal to the authority and reputation of the speaker or writer. Let’s say you want to know more about what it’s like to be a female CEO in corporate America. Would you trust a man to tell you? Or let’s say you want to read a compelling argument against the death penalty. Would you read an essay written by a serial killer on death row? We want the author or speaker to have credibility. Unfortunately, establishing ethos is much more difficult for writers than for public speakers. If you’re giving a speech you can give plenty of visual cues that reveal who you are and why you should be believed. Your clothing, your gestures, your body language—all these things influence your audience. If you’re a general speaking to the press, those medals pinned to your chest will do a lot of persuading. For a writer it’s more difficult to create a sense of ethos. One strategy is to draw attention directly to your credentials. Your book might have a bio on the dustjacket. You might also describe your experience in relation to the subject matter:
However, a more subtle way to establish ethos is to let your writing style draw a portrait of your personality and character. Compare the following statements:
The first sounds like a rather opinionated person, the second seems like the voice of a police spokesperson, and the last one may come across as empathetic and understanding. We know nothing about the biography of these speakers, and yet we do get a strong sense of ethos. So as you establish a sense of ethos in your writing, think about sentence structure and tone. Your writing style can make you seem fair-minded, thoughtful—cool even. It can also make you seem smug, affected, or obsessive. Present yourself in a way that inspires trust, and then your audience will believe almost anything you have to say. PathosPathos is the appeal to the emotions. Anytime your writing has an emotional impact you are dealing with pathos. Consider the following two statements:
Which statement pulls at your heartstrings? The second one of course. You can appeal to people’s emotions in many ways. You can make them cry, you can make jokes, you can show outrage. Even the most seemingly objective writing styles will contain some element of pathos. A science textbook, for instance, may instill feelings of awe and amazement at the beauty and complexity of the universe. Don’t listen, then, to people who argue that all emotional arguments are truly pathetic. Pathos is a legitimate form of persuasion. LogosLogos is the appeal to logic. Anytime you build a case by presenting logical reasons (causal explanations, syllogisms, etc.), you are using logos. Here are two examples of logos in action:
Not every attempt at logic will persuade. Sometimes the writer may be guilty of a logical fallacy. In other cases, the logic may be sound, but the reader may not trust the source (ethos) or may find the reasoning cold and heartless (a lack of pathos). It’s always best, then, to think of all three rhetorical appeals as different pieces of the puzzle. They don’t have to be mutually exclusive strategies. Use them in any combination that fits the rhetorical situation. Works CitedAristotle. On Rhetoric: A Theory of Civil Discourse. Translated by George A. Kennedy, Oxford UP, 2007. Aristotle's "modes for persuasion" — otherwise known as rhetorical appeals — are known by the names ethos, pathos and logos. They are tools for persuading others to a particular point of view and are often used in writing and advertising to sway the audience. Aristotle used these three terms to explain how rhetoric works:
Ethos is a means of convincing an audience using the authority or credibility of the persuader, whether it’s a notable or experienced figure in the field or a popular celebrity. Pathos is a way of convincing an audience of an argument by creating an emotional response to an impassioned plea or a convincing story. Logos is a way of persuading an audience with reason, using facts, figures and rationale. View & Download PDF Even understanding what ethos, pathos and logos mean, you may have trouble parsing them out. Ethics, emotion and logic are closely intertwined, not siloed off. How you feel affects what you think, and vice versa, and all of it can affect or be affected by your ethics. Ethos in your speech or writing comes from sounding fair or demonstrating your expertise, education or pedigree. Examples of ethos include:
You can see examples of pathos in language that draws on your audience’s emotions:
Many audiences are more prone to turning to logic or practicality, which is where you might use logos. Using logos as an appeal means reasoning with your audience and providing them with facts, statistics, and logic or making historical and literal analogies:
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