What do you call a technique that uses visual representations to show how ideas are connected?

Graphical representation refers to the use of charts and graphs to visually display, analyze, clarify, and interpret numerical data, functions, and other qualitative structures.

What do you call a technique that uses visual representations to show how ideas are connected?

FAQs

What is Graphical Representation?

Graphical representation refers to the use of intuitive charts to clearly visualize and simplify data sets. Data is ingested into graphical representation of data software and then represented by a variety of symbols, such as lines on a line chart, bars on a bar chart, or slices on a pie chart, from which users can gain greater insight than by numerical analysis alone. 


Representational graphics can quickly illustrate general behavior and highlight phenomenons, anomalies, and relationships between data points that may otherwise be overlooked, and may contribute to predictions and better, data-driven decisions. The types of representational graphics used will depend on the type of data being explored.

Types of Graphical Representation

Data charts are available in a wide variety of maps, diagrams, and graphs that typically include textual titles and legends to denote the purpose, measurement units, and variables of the chart. Choosing the most appropriate chart depends on a variety of different factors -- the nature of the data, the purpose of the chart, and whether a graphical representation of qualitative data or a graphical representation of quantitative data is being depicted. There are dozens of different formats for graphical representation of data. Some of the most popular charts include:

  • Bar Graph -- contains a vertical axis and horizontal axis and displays data as rectangular bars with lengths proportional to the values that they represent; a useful visual aid for marketing purposes
  • Choropleth -- thematic map in which an aggregate summary of a geographic characteristic within an area is represented by patterns of shading proportionate to a statistical variable
  • Flow Chart -- diagram that depicts a workflow graphical representation with the use of arrows and geometric shapes; a useful visual aid for business and finance purposes
  • Heatmap -- a colored, two-dimensional matrix of cells in which each cell represents a grouping of data and each cell’s color indicates its relative value
  • Histogram – frequency distribution and graphical representation uses adjacent vertical bars erected over discrete intervals to represent the data frequency within a given interval; a useful visual aid for meteorology and environment purposes
  • Line Graph – displays continuous data; ideal for predicting future events over time;  a useful visual aid for marketing purposes
  • Pie Chart -- shows percentage values as a slice of pie; a useful visual aid for marketing purposes
  • Pointmap -- CAD & GIS contract mapping and drafting solution that visualizes the location of data on a map by plotting geographic latitude and longitude data
  • Scatter plot -- a diagram that shows the relationship between two sets of data, where each dot represents individual pieces of data and each axis represents a quantitative measure
  • Stacked Bar Graph -- a graph in which each bar is segmented into parts, with the entire bar representing the whole, and each segment representing different categories of that whole; a useful visual aid for political science and sociology purposes
  • Timeline Chart -- a long bar labelled with dates paralleling it that display a list of events in chronological order, a useful visual aid for history charting purposes
  • Tree Diagram -- a hierarchical genealogical tree that illustrates a family structure; a useful visual aid for history charting purposes
  • Venn Diagram -- consists of multiple overlapping usually circles, each representing a set; the default inner join graphical representation


Proprietary and open source software for graphical representation of data is available in a wide variety of programming languages. Software packages often provide spreadsheets equipped with built-in charting functions.

Advantages and Disadvantages of Graphical Representation of Data

Tabular and graphical representation of data are a vital component in analyzing and understanding large quantities of numerical data and the relationship between data points. Data visualization is one of the most fundamental approaches to data analysis, providing an intuitive and universal means to visualize, abstract, and share complex data patterns. The primary advantages of graphical representation of data are:

  • Facilitates and improves learning: graphics make data easy to understand and eliminate language and literacy barriers
  • Understanding content: visuals are more effective than text in human understanding
  • Flexibility of use: graphical representation can be leveraged in nearly every field involving data
  • Increases structured thinking: users can make quick, data-driven decisions at a glance with visual aids
  • Supports creative, personalized reports for more engaging and stimulating visual  presentations 
  • Improves communication: analyzing graphs that highlight relevant themes is significantly faster than reading through a descriptive report line by line
  • Shows the whole picture: an instantaneous, full view of all variables, time frames, data behavior and relationships


Disadvantages of graphical representation of data typically concern the cost of human effort and resources, the process of selecting the most appropriate graphical and tabular representation of data, greater design complexity of visualizing data, and the potential for human bias.

Why Graphical Representation of Data is Important

Graphic visual representation of information is a crucial component in understanding and identifying patterns and trends in the ever increasing flow of data. Graphical representation enables the quick analysis of large amounts of data at one time and can aid in making predictions and informed decisions. Data visualizations also make collaboration significantly more efficient by using familiar visual metaphors to illustrate relationships and highlight meaning, eliminating complex, long-winded explanations of an otherwise chaotic-looking array of figures. 


Data only has value once its significance has been revealed and consumed, and its consumption is best facilitated with graphical representation tools that are designed with human cognition and perception in mind. Human visual processing is very efficient at detecting relationships and changes between sizes, shapes, colors, and quantities. Attempting to gain insight from numerical data alone, especially in big data instances in which there may be billions of rows of data, is exceedingly cumbersome and inefficient.

Does HEAVY.AI Offer a Graphical Representation Solution?

HEAVY.AI's visual analytics platform is an interactive data visualization client that works seamlessly with server-side technologies HEAVY.AIDB and Render to enable data science analysts to easily visualize and instantly interact with massive datasets. Analysts can interact with conventional charts and data tables, as well as big data graphical representations such as massive-scale scatterplots and geo charts. Data visualization contributes to a broad range of use cases, including performance analysis in business and guiding research in academia.

Why are images so powerful?Images are highly evocative, this means that they elicit a strong emotional response in the viewer.Images are processed cognitively more quickly than written text, so meaning can be conveyed quickly and effectively through imagery.Images are open to interpretation- they can appeal to many different viewers and they can be used in many contexts. However, they are open to social, cultural, contextual and individual variation in the meanings they convey.

GAZERefers to where the figure in the image is looking.​

DEMAND- a term used when a figure in the image 'gazes' directly out of the page at the responder. This establishes a connection between subject and viewer.

OFFER- a term used when a figure 'gazes' at another object in the image encouraging us to look at that object, the viewer is a detached onlooker.

READING PATHWAYS

A reading path is the path you take through a visual text. The path moves from the most salient to the least salient elements.In other words, it is the movement of the viewer's gaze around a visual text. This can be influenced by elements such as vectors, Salience, gaze etc.

VECTOR- A vector is a line that leads your eye from one element to another. A vector may be a visible line or an invisible one. It can be created by such things as against, pointing fingers or extended arms. They may be objects or parts of objects (such as arms, legs, a pole, the side of a house) or invisible lines such as the direction of gaze from a represented person's eyes to another person or object.

SALIENCE ( focal points)- The element/s in an image which stand out and attract the viewer's attention, it refers to the feature in a composition that most grabs your attention. An image can be made salient through

  • Placement -usually an image becomes heavier if placed towards the top or left of the page
  • ​colour
  • Size
  • Focus
  • Distance
  • Or, a combination of these

FRAMING- elements in a layout can be disconnected and marked off from each other or connected. If elements are cut off from one another they are strongly framed. Framing can be achieved by borders, this discontinuities of colour and shape, for my white space. Connectedness can be achieved by vectors and devices such as overlapping or superimposition of images.

PERSPECTIVE

FOREGROUND/ MIDDLE GROUND/ BACKGROUND - what is in the foreground is often considered more important than what appears in the background.

POSITIONING OF ELEMENTS eg centre or off-centre

CENTRALITY - centrality refers to placing of the main object or figure in the centre of the image or close to the centre of the image. Images in the centre are the nucleus information, the margin images are subservient.

COMPOSITIONAL AXIS

the vertical axis - the left is known, the right is new or unknownthe horizontal axis- the upper section is ideal, the lower elements are real.

IDEAL/ REAL - when the page is divided horizontally, top and bottom. The top of the page is often called the 'ideal'. In advertising the product is usually placed in the ideal. What has been placed at the bottom of an image can be said to represent the 'real' and usually contains information about the product.

JUXTAPOSITION


​Placing visual elements side by side to create contrast or interaction. The placement of two or more ideas, characters, actions, settings, phrases or words side-by-side for a particular purpose, for example to highlight contrast or for rhetorical effect.

SHOTS AND PERSPECTIVESViewing angles and distance are very similar to film shot. For example, 'low angles' make the subject look more powerful while the reverse is true when a 'high angle' is used. A high angle makes the viewer feel a sense of power and a lower angle makes the viewer feel powerless. A straight on eyelevel view creates no power difference. Like in film medium, illustrators use 'shots' for different purposes, for example close-ups, long shots etc.

SOCIAL DISTANCE

A close-up is intimate and creates a connection with the viewer whilst a long shot creates objectivity and distance. With a long shot or an objective image of you is not drawn into involvement with the image. Meaning comes from the symbolic connection made by the reader.

MODALITY/ CREDIBILITY

  • ​Lowest modality graphics are the least real
  • highest modality is most real
  • influences on modality are:
  1. Idealisation -the images better than real
  2. Decontextualisation - Components are removed from the expected context and used elsewhere.
  3. Modality can be affected by tricks with perspective

SYMBOLS
symbols can be used to represent ideas or concepts.

LIGHTING

  • ​Lighting create mood
  • Shadows may suggest concealment of fear and despair
  • Light, hope and inspiration
  • Soft light,Romance
  • Colour can be symbolic

COLOURColour is an element strongly tied to our emotions. Depending on the context, it can have symbolic, associative or evocative meanings.HUE- red, green, blue etcVALUE- the brightness of colour- light/ darkINTENSITY- describes Te purity or strength of a colour: bright or dull'Hot' colours- excitement, happiness, anger'Cool' colours- harmony, peace, sadnessPlacement of certain colours near each other can prompt mood, or draw attention to certain features

Media used can emphasise colour, eg luminous watercolours, gouache- more intense.

  • ​Red red colour red represents action, passion, masculinity, emotion, danger
  • Yellow represents warm colours, cheerful, joy, lightheartedness
  • Blue represents coolness, calmness, wisdom new point
  • Black represents evil, mysterious, powerful, fear
  • White represents purity, innocence,timelessness, mystical

ART ELEMENTS
Texture-
  • Connecting the sense of sight with the sense of touch/ feel
  • Can rouse memories, and create empathy for character and setting
  • Use of media influences texture.
Line-
  • ​Can create mood
  • curves- warmth and safety
  • jagged, sharp- excitement, destruction, unease
  • ​line can draw attention to something in the illustration
Space-
  • ​liberal use of space indicates isolation, emptiness
  • busy illustration can infer chaos, lots of activity, energy
  • space can also draw attention to specific objects
​Shape and Size-
  • ​visual outline of an object which we use to recognise objects
  • rounded- warmth, safety
  • angular- excitement, confusion
  • use of object/ character size can convey different emotions
  • scale or size is often used to indicate the importance of something.

READING PATH

What do you call a technique that uses visual representations to show how ideas are connected?

VECTOR- line

What do you call a technique that uses visual representations to show how ideas are connected?

What do you call a technique that uses visual representations to show how ideas are connected?

TEXTURE

What do you call a technique that uses visual representations to show how ideas are connected?

ideal - real

What do you call a technique that uses visual representations to show how ideas are connected?

GAZE- demand

What do you call a technique that uses visual representations to show how ideas are connected?

GAZE- offer

What do you call a technique that uses visual representations to show how ideas are connected?

The dog's GAZE creates an OFFER encouraging us to look at the puppies

What do you call a technique that uses visual representations to show how ideas are connected?

CENTRALITY- the central positioning of the car creates salience

What do you call a technique that uses visual representations to show how ideas are connected?

LINE AND COLOUR

What do you call a technique that uses visual representations to show how ideas are connected?

JUXTAPOSITION

What do you call a technique that uses visual representations to show how ideas are connected?

FRAMING, CENTRALITY & RULE OF THIRDS

What do you call a technique that uses visual representations to show how ideas are connected?

COLOUR

What do you call a technique that uses visual representations to show how ideas are connected?

SPACE

What do you call a technique that uses visual representations to show how ideas are connected?

What do you call a technique that uses visual representations to show how ideas are connected?